Archive for tag 'Car digital drawing and sketching (photoshop and painter)'
Painting a car digitally II
This is a mini walkthrough that shows some details not mentioned in the original tutorial. The technique described for the front fender can be executed on the whole car.
Photoshop side rendering
This tutorial shows a technique for using Photoshop in order to achieve very realistic side view renderings. The author is Neil Bottrill, a Coventry University graduate.
Veilside Fortune RX7 Vector Tutorial
This tutorial covers the process of creating a detailed toon version starting from a car photo. Includes many useful Photoshop tips.
Quick Photoshop rendering
Jamie Seymour shows how to do a quick side view rendering using photoshop, starting from a scanned sketch and using cool and warm tones.
Sketching video tutorial
This video tutorial shows the perspective and sketching process with Corel Painter. It is divided in four parts and is available in downloadable high quality wmv format.
Concept rendering tutorial
A visual tutorial that shows how to create a quick concept rendering in Photoshop starting from a plain sketch.
Quick sketch in Photoshop
This tutorial shows a technique for creating a sketch in Photoshop very quickly (max 15 minutes) and includes some general tips about digital sketching in Photoshop. The author is Giangiacomo Barbero, an Italian designer graduated at the Istituto Europeo di Design.
Marker + Photoshop rendering tutorial
How to combine a traditional markers technique with digital composition in Photoshop to create a complete rendering. The author is Joshua Hoffeld, a graduate from Art Center College of Design in Transportation Design.
Quick render tutorial
Through 10 steps this tutorial gives an overview of the quick rendering process, starting from a sketch. A basic knowledge of Photoshop or Painter is required.
Sketching with Photoshop
This tutorial will explain how to obtain a half-an-hour sketch by using a superposition technique. This is an easy way to explore the volumes and shapes without worrying about reflection and colours, but only about light and darkness.
